un pedacito de mar/a little piece of the sea
(in progress)
Baño de Mabel, Havana 2016
Nana Poey, Puerto Rico 1932
Delia Alcazar, Cuba 1932
Cuba 1930's
Bertha & Delia Alcázar, Cuba 1935
Nana Poey, 1940
Berta, Olga & Delia Alcázar, Cuba 1942
Bertha, 1948
Bertha Alcazar, 1950
Cuba, 19050's
Berta Alcazar de Poey, Cuba 1954
Bertha Alcazar de Poey, 1956
Bertha, Alcazar de Poey, Cuban Passport 1958
Havana Vieja, 2016
Bertha Alcazar de Poey, Cuba 1958
Bertha Alcazar de Poey, Cuba 1958
Camarioca Boat lift, 1965
Bertha Alcazar de Poey, Mexico 1964
Bertha Alcazar de Poey, 1975
Bertha Alcazar de Poey, Miami 1870's
Haitian refugees sent back to Port-au-Prince
Bertha Alcazar de Poey, Miami 1982
Universidad de la Havana, 2016
Haitian refugees, Haiti, 2010
Vivian Poey, US passport 2017
Camila, US passport, 2017
Guy Michel, US Passport 2017
Cuban refugees, Miami 2023
These images are a work in progress where I reflect on my family history of place and consider the human impact of migration and national borders.
During a trip to Cuba in 2016 to visit family I noticed that almost anywhere I went in Havana I could see at least a little bit of the sea. I thought of the steady stream of Cubans and Haitians that risk everything to get to the other side knowing that the majority of deaths during migration happen at sea.
In an island, the ocean is an ever-present border. In these images from my family archive from the 1930’s to 1959 Cuba, I focus on the ever-present ocean border. I juxtapose these personal images with the official identity presented in stamped documents required to safely and legally move across borders.